Tag Archives: Metal

Brass Trasure Chest

The Brass Treasure Chest is a Rocky Chiaro design, produced by Puzzle Master. As the name suggests, this is a small Brass puzzle which is made to look like a treasure chest, and like many of Rocky’s designs contains a devilish locking mechanism that will keep you puzzling for quite some time.

Brass Treasure Chest by Rocky Chiaro

Brass Treasure Chest by Rocky Chiaro

Having met Rocky Chiaro when I was at IPP, and being able to spend time talking to him at his puzzle table on the day of the Puzzle Party, it was great to see the passion he has for his puzzles, and to see just how happy he was to demonstrate his puzzles, and talk about them in general. Getting insight into why he made a puzzle the way he did, or having him show me a much better way to solve a couple of his bolt puzzles after I bungled my way through the solutions myself was superb. Currently the only one of Rocky’s puzzle design’s I own is the Brass Treasure Chest, and having played with a number of his puzzles now, I will have to remedy that!

The Puzzle itself is quite small, measuring 2 1/8″ x 1″ x 1 1/4″, and has a good weight to it given that it’s made from a big lump of brass. The front of the puzzle has Rocky’s signature scribed into it, and if you’re familiar with trick opening boxes, that can’t just be coincidence, and will surely be useful when you try to solve it. The box is reasonably well made, although there are a few edges on my copy which don’t line up perfectly, and there’s a couple of small gaps in the seams between sections of the puzzle. You’re going to have to look closely to see it, and it doesn’t affect the puzzle at all, so it’s not something that should put you off. And no, it’s not going to help you to solve the puzzle either.

When you first start solving this puzzle, there’s a couple of things you’ll find fairly quickly as the first couple of steps are fairly easy to find and allow the top of the chest to rotate a small amount. After that, you hit a dead end, and that’s where the really tricky part starts. Moving the puzzle around (or shaking it) will let you hear that there’s a couple of loose parts in there rattling around, and figuring out how they move is key to opening the box fully. This is fairly typical of Rocky’s designs so will give you a good idea of whether you’re going to like his style of puzzle boxes.

Brass Treasure Chest by Rocky Chiaro opened.

Brass Treasure Chest by Rocky Chiaro opened.

After a lot of what felt like blind stumbling I finally managed to get the box open. I really didn’t understand exactly what I’d done to solve the hidden mechanism, and it took quite a bit of fiddling around with the lid open to understand what I did to allow the lid to swing open freely. It’s a challenging little box, but once you understand the mechanism, it can be opened quickly and repeatedly. The first time took me around 45 minutes over a couple of nights of playing and thinking in-between. No solution is provided with the puzzle, but if you need one, you can find it here.

There’s a small space inside as you can see from the picture which could be used to store a very small item. That said, I’m not sure if anyone would actually store anything inside their puzzle vessels. (I know I don’t)

As an introduction to Rocky’s puzzles the Brass Treasure chest is a very affordable first puzzle, and although the fit and finish isn’t as good as the puzzles that Rocky hand makes, it is a great puzzle for the price. As I mentioned, the mechanism is a classic design so it will give you a good idea of whether you’d enjoy his style of puzzle, before spending a lot more money on a handmade original. Having been fortunate enough to see all of Rocky’s puzzles in person, I can’t praise his work highly enough. Anyone who still makes all his puzzle by hand in brass, with no CNC or computer aids and is able to turn out such high quality puzzles is truly a master craftsman.

Tetraxis at IPP 32

During the Design competition at this year’s IPP I was able to play around with some of Jane and John Kostick’s new designs. In total there were three new designs from Jane this year, and despite not winning any awards, they are all great to play with, and much like the Tetraxis I wrote about yesterday, have a quality that makes you want to take them apart and put them back together. A lot.

This year there were many more puzzling elements to the offerings so rather than just making the complete structure, you could spend a lot of time trying to make the other structures mentioned. First up is the 3 Layer Tetraxis array.

Kostick's 3 Layer Tetraxis array on a bronze star

Kostick’s 3 Layer Tetraxis array on a bronze star

3 layer Tetraxis array

This is the largest of the three structures, measuring 4.5″ when fully assembled. (Thanks Allard for the correct size) Made from a number of exotic woods including Wenge, Maple, and at a guess Bubinga and Spalted Apple, the puzzle looks stunning. Jane’s top quality finish on the pieces is clear and the fit is excellent. As with the Tetraxis array I wrote about yesterday the pieces are embedded with magnets which hold the structure together, and help lead you to the solution.

I had a lot of fun playing with this puzzle. It has the initial appearance that it’s much harder than it looks which may have put some people off, but it’s so much fun to play with that you’re really missing out if you don’t.

There were seven challenges with the 61 sticks and blocks. None were overly difficult, however each creates a stunning structure which would look great in any display. Also it’s worth noting that all of the first three solutions can be made at the same time.

The challenges were to use the set of 61 sticks and blocks to put together seven compositions that symmetrically surround a center:

1. Using one block and the 12 longest sticks
2. Using the 12 blocks and the 12 mid-length sticks
3. Using the 24 shortest sticks
4. Combine 1 & 2
5. Combine 1 & 3
6. Combine 2 & 3
7. Combine 1, 2 & 3

Below are a few images showing some possible combinations, but I’m not going to show all the solutions, you can work them out for yourself!

Tetraxis, outer later removed.

Tetraxis, outer later removed.

The outer ‘layer’ removed showing the inner structure.

Tetraxis, inner cage

Tetraxis, inner cage

The Wenge ‘core’ disassembled leaving the inner cage. As you can see the magnets and the lattice hold the structure together without any support.

Tetraxis core

Tetraxis core

The Inner symmetric core. I love this structure.

Tetraxis

Tetraxis

Both parts of the inner core assembled separately. If you look closely, you can see the three sticks in each plane.

Tetraxis, assembling the core inside the cage.

Tetraxis, assembling the core inside the cage.

Here you can see how the inner code is nested inside the cage.

Chamfered Cube

Chamfered Cube

Chamfered Cube

Next up is the Chamfered Cube. This much smaller structure looks exactly as the name suggests, and really stands out with the pyramid shaped indents in each side of the cube. For some reason my photos of the remaining two puzzles didn’t turn out very well, so I’m having to use the competition photos from John Rausch’s site.

The goal for this puzzle is to use either set of 12 sticks to hold the 8 blocks in place at the corners of a cube and then to add the other set of sticks to make a large chamfered cube, which is the shape of the small white block that can fit in the center of the arrangement. This isn’t a difficult challenge as the shape of the ends of the sticks, and the blocks themselves guide you toward the correct solution. Made from Black Palm, Red Oak, and at a guess Chakte Viga it’s a striking looking puzzle.

Double Duals

Double Duals

Double Duals

The third entry is Double Duals. Around the same size as the Chamfered Cube, this is another stunning looking puzzle. Made from Leopardwood, and possibly red oak (not sure on the lighter wood), this puzzle is almost an inverse construction of the previous puzzle. Rather than the sticks crossing through the centre of the structure, here they form the outer shell.

The goal of the puzzle is to make a pair of complementary arrangements such that each one contains blocks and 12 sticks symmetrically surrounding a center. Then put them together so that one is inside the other, and they both surround the block without magnets. Then repeat the entire process with each set of sticks making the opposite arrangement.

The clever part here is that as is hinted at, you can swap the sticks between the inner and outer construction. It’s a clever arrangement, and really needs to be played with to be appreciated.

Other KoStick Puzzles from IPP

The competition entries weren’t the only appearance of Jane’s work over the weekend. It turns out that the IPP committee had arranged for Jane to make a very special little puzzle for each of the people who helped run and organise the events over the weekend. That came in the form of a tiny little Tetraxis puzzle.

Brian with his Kostick puzzle as thanks for helping

Brian with his Kostick puzzle as thanks for helping

Brian Pletcher was one of the people helping out and was given one of these beautiful little puzzles. as such I was lucky enough to be able to get a good look at it. It’s not a challenging assembly, however the way the blocks have been cut, there are multiple ways to assemble the pieces.

A closeup of the Tetraxis gift made by Jane Kostick

A closeup of the Tetraxis gift made by Jane Kostick

A closeup of the Tetraxis gift made by Jane Kostick

A closeup of the Tetraxis gift made by Jane Kostick


It’s a great looking puzzle, and something I’m sure the IPP organisers will be very happy to have in their collections.

There was one final puzzle from the KoStick range which I played with over the weekend, which was thanks to John Rausch pulling a tube with some of Jane’s pieces out of his pocket and handing them to me. It turns out having talked with Jane that the puzzle was a 2 Layer Tetraxis array, knows as 4P1S. Now I have no idea what the code stands for, but for me it was probably the most challenging of the Tetraxis puzzles that I played with over the weekend.

Tetraix 2 layer Array 4P1S

Tetraix 2 layer Array 4P1S

The version John had was in a single wood, however when I spoke to Jane about the puzzle she mentioned that she had two versions available. Seeing the puzzle above in Mahogany with Ebony and Holly tips I was quick to buy it from Jane. The puzzle is very similar to the Chamfered Cubes puzzle however there are no corner blocks to help with the assembly. As such this is a much harder puzzle to put together and as such I found it a lot of fun.

In total there are 24 sticks, 12 long and 12 short which need to be combined to make the shape above. It may look fairly simple, but it’s not as easy as it looks. Starting off, you make two sub-assemblies which you need to interlock, and then build up from there. Seeing how the first two interlock is the real challenge, and once they are in place, the rest comes together fairly quickly from there.

If I were to recommend one of the puzzles to get, it would be this last puzzle. I did!

Overall, Jane’s work is incredible, and really the photos don’t do it justice. It needs to be seen to be appreciated, and the movement of the pieces only really becomes magical when you have it in your hands. The wooden versions are well priced for the work that goes into them, but if you want a cheap version to be able to play with and get a feel for how the pieces interact before spending a lot of money, then I’d recommend some of the plastic versions which you can buy on their web shop.

Washer Cylinder

Some time back I reviewed Wil Strijbos’ Aluminium Cylinder puzzle after being able to get a copy when he made a second run of them. I’d heard so many good things about it, I really couldn’t pass up the opportunity to own one. So when he got in touch to say that the Washer Cylinder was available, a new puzzle along the same lines, I jumped at the chance to add one to my collection. What I’m going to say may be controversial, but I don’t like it. Before you start shouting obscenities at me, read on to find out why.

Wil's Washer Cylinder

Wil's Washer Cylinder

The Washer Cylinder is slightly larger than the original Aluminium Cylinder, and unlike the first doesn’t have a sprung top. There’s a hole in the bottom as before, this time much larger than the original, but this time rather than being able to see into the puzzle, there’s a small rod and a washer spinning freely around it. Not all versions have this rod, as the original prototypes had a coin in there instead. It doesn’t affect the puzzle in any way, so really doesn’t matter which version you have. (I’ll come back to that later!) The lid spins freely, VERY freely, but other than that there’s not much else to see here.

The Bottom of the Washer Cylinder

The Bottom of the Washer Cylinder

As before, the number on the ‘lid’ of the puzzle is the version number of the puzzle in the run Wil made, but this time, there’s no accompanying mark on the main body of the puzzle. That’s the first clue that this is a different beast altogether. Much like the first puzzle you can hear something rolling around in there, and you’ll probably guess that it’s ball bearings. Pretty much everyone I’ve talked to has some theory about how many BB’s are in there … and we were all wrong.

If you’ve played with the Aluminium Cylinder then I truly think you’re at a disadvantage. You know how that works, and whether you like it or not, you’re going to try the same things in the vain hope that it will help. It won’t but even after reading this, and the many other reviews, you’ll still try!

So why do I not like this puzzle? Well the answer is pretty simple. There is absolutely no feedback while working on the puzzle that you’re doing anything right at all. The tolerances on the puzzle are so fine that you have to perform the solution exactly for it to work, otherwise, nothing will happen. Given that, I really don’t find it a satisfying puzzle. The first gave you feedback, confused you as the BB’s appeared and disappeared in the hole in the bottom, and delighted you when you solved it and the top popped open with a satisfying sound. For me, this puzzle has none of that.

Allard recently wrote a post about what makes a good mechanical puzzle. For me personally, getting some feedback from the puzzle that you’re making some progress (even if it turns out to be negative progress) is very high on my list. If you’ve not read it, then I’d suggest having a look at Allard’s thoughts as it was a good read!

Now I know the opinion above is not the opinion shared by the others who’ve reviewed it, it is my feeling, and I’ve always been honest in my reviews. Have a look at what Allard, Jerry, Kevin, and Oli have to say.

Now having told you why I don’t like it, I do think it’s a very clever puzzle. The mechanism is simple, yet deceptive and it does work flawlessly every time. Despite the instructions from Wil, I’d disagree that no force is required. There’s no force required initially, but the final step may require a little force to start the opening process. It’s not excessive, but having said ‘no force’ may lead some people not to make that final step towards opening it.

It took me a couple of days to get this open, probably 6-8 hours in total so it certainly had me stumped for a good while. When I was trying to find something to help, I managed to unscrew the rod in the base of the puzzle. On doing that I emailed Wil to check that it wasn’t part of the solution and that I hadn’t broken anything. Wil confirmed on both counts that I was on the wrong track and that it wasn’t going to affect anything. Knowing that it wasn’t an issue, I left the rod out as I hoped it would let me hear what was going on in the puzzle a bit better. It may not have helped at all, but it made me feel better! Once I had the puzzle open I decided to replace the washer with a coin as I prefer the look. (Sorry Wil!)

The washer and peg replaced by a 1 cent coin

The washer and peg replaced by a 1 cent coin

When you’re putting the puzzle back to the start position, it’s possible to get things stuck if you turn the puzzle over and the washer drops off the rod. Not a big problem, but something to keep in mind!

Being one of the first 20 people to be sent a copy of the puzzle from Wil, he kept in touch and I was aware of a lot of discussion around the puzzle. Wil was great at keeping in touch, and sending out updates as to when various puzzlers had solved it. As such, I was aware of a number of reports of issues being found. Sadly, given the tight tolerances, and the nature of metal on metal there were some cases where the puzzle got jammed, and as a result it was possible to open the puzzle without going through the intended solution. Wil was actively looking for input and thoughts on the puzzle, and I think he’s looking at improving the design, so fingers crossed this will get better in future copies.

Despite what I’ve said, I do think it’s a nice puzzle, and I am happy to have one in my collection. It’s beautifully made, and the work that went into it is clearly the high quality Wil always makes. Would I recommend it to someone else? No, I really don’t think I would. I’d say get the original, as I personally think it’s a far better puzzle.

Cast H&H

This entry is part 8 of 8 in the series Hanayama Cast Puzzles

In my latest shipment from Puzzle Master, I received this from the Hanayama Cast series of puzzles. Cast H&H, like its name suggests consists of two pieces shaped like the letter ‘H’ which are entangled around one another. The goal is to separate them and then put the puzzle back to its starting position. Thanks to Puzzle Master for sending me this puzzle to review.

Cast H&H boxed

Cast H&H boxed

This is another puzzle designed by the prolific designer Oskar van Deventer and is ranked 5/6 on the Hanayama scale (9/10 from Puzzle Master). As usual, the puzzle comes packaged in the familiar Hanayama Black and Gold packaging, which I realise I keep talking about but never show. So to rectify that, I’m using a picture of the puzzle boxed here!

The starting position

The starting position

I really like the look of this puzzle. It’s finished with a highly polished chrome material, and the curves really do make this a great looking puzzle from any angle. There’s something about the sharp lines in the centre, along with the wavy lines of the puzzles profile that makes you want to pick it up. And when you do, you realise just how smooth and tactile a puzzle it really is. As you’ve come to expect, one of the pieces is stamped with the puzzle’s name, and the Hanayama logo. If nothing else, this allows you to keep track of one piece’s location and orientation when trying to solve the puzzle.

Now if you happen to have someone who dislikes the clinking of Metal on Metal while you try to solve a puzzle, then I’d suggest not playing with this while they’re around. It’s very hard to keep this one quiet, so maybe best to play with this one on your own. I found it fairly easy to get turned around when trying to solve this one, and as such it took nearly half an hour to separate the two pieces. Given that it’s not any easier to put it back together, I spent probably the same time again to get it back to the start. Along the way, I managed to re-solve it while trying to re-entangle it, possibly more than once!

The range of movements between the two pieces is surprisingly high. It’s possible to slide the pieces along their centres, rotate one piece along the outer curves of the other, rotate it in the top or bottom gap that would be the top/bottom of the letter H and also rotate the pieces entirely within themselves. That may sound like gobbledygook, but if you’ve played with the puzzle then you’ll know what I mean. (And if you’ve not, then get one and you’ll understand!)

The two Cast H&H pieces

The two Cast H&H pieces

This fairly large number of possible moves with very similar looking pieces leads to the ease with which you can get turned around while solving this one. But it’s not that easy. The shape of the pieces are very cleverly constructed so that a move that may be possible with one end of the pieces, isn’t possible with the other. Frustrating, but certainly gets you thinking as to how you can maneuver the pieces where you need them.

Some 'helpful' text

Some 'helpful' text

No solution is included with the puzzle, again as to be expected from the Hanayama puzzles, but if you’re really struggling then head over here to download one. Since I’d not noticed it before, even the box tells you there’s no solution to be found. After all, we all love the feeling when we solve a new puzzle, so why spoil the experience!

This was a very enjoyable puzzle to work on. Just the right level of frustration, but not so much that you’ll not be able to solve it and be forced to go looking at a solution. As always, the Cast series puzzles are not expensive, and with the holidays coming up, these make great stocking stuffers!

Cast Marble

This entry is part 7 of 8 in the series Hanayama Cast Puzzles

Cast Marble is another puzzle from the Hanayama Cast Series of puzzles this time, designed by Oskar van Deventer and Bram Cohen. The goal of the puzzle is to take apart the four pieces, and put them back together. Thanks Puzzle Master for sending me this puzzle to review.



Cast Marble

Cast Marble

As you can see this is another great looking puzzle with contrasting colours of anodised/chromed metals used for the body and the marble. At 1.5″ x 1″ deep it’s not a large puzzle, and as Brian already pointed out in his review the darker body of the puzzle really shows fingerprints well, so if you’re like me, you’ll find yourself reaching for the cleaning cloth to keep it print free. Given that it’s a solid metal puzzle, it has a good weight in your hands, even with the size being quite diminutive.

As we’ve come to expect the puzzle name, and Hanayama logo are laser etched into the top of one of the pieces, just in case you forget which puzzle you’re playing with. As much as I’m joking about it, it really is a nice touch, and something I’m happy to see Hanayama doing.

Cast Marble initial movement

Cast Marble initial movement

Straight out of the familiar black and gold Hanayama packaging, you’ll find that the puzzle wants to move into the position you see above. This seems to be the natural movement that you’ll find when you start playing. As you might have guessed it’s not going to help you to solve the puzzle, but it might let you see each of the parts a little more clearly.

The silver ball in the centre of the puzzle spins freely inside the frame pieces, and this is helped given just how smooth the finish is on the puzzle. Given the puzzles small size, and how slick the surfaces are, it does add an extra challenge to the puzzle. I found that even once I found out how to take the pieces apart, manipulating the pieces was still challenging.

Rated as 4/6 on the Hanayama scale and 8/10 by Puzzle Master (their scale starting at 5), this is a challenging little puzzle. I spent 15-20 minutes to figure out how to take it apart for the first time. When it started to come apart, the two frame sections stuck against one another as they were separating, leaving me thinking I wasn’t solving it correctly. It turns out that a small adjustment to the positioning of the four pieces, and they slid apart very smoothly, with a very satisfying motion. Much like the Cast Loop puzzle, the movement of the pieces as the puzzle comes apart is almost hypnotic, and its a very graceful thing to watch come apart then slide back together.

Cast marble in pieces

Cast marble in pieces

Once you have the pieces apart, the twisted shape which leads to this unusual motion is revealed. If you take care when opening the puzzle, then re-assembly shouldn’t be too difficult, but as is the case when taking it apart, precise alignment is required. I found it easier putting the pieces back together than taking them apart, mainly because it seems to need less dexterity, and also that the puzzle doesn’t want to rotate in the horizontal axis around the ball (like you see in the second image).

I think this is a reasonable challenge, and will keep most people puzzled for a fair while. More seasoned puzzlers may figure this out faster, but the movement alone makes it worth adding to your collection. I highly recommend Cast Marble, and it’s probably second only to Cast Loop in terms of my favorite Hanayama puzzle at this point. If you don’t have this already, definitely consider picking up a copy. Oli has also written about the Cast Marble, so to read his thoughts, head over here.

Buffalo Nickel

The Buffalo Nickel is based on a puzzle design by Oskar van Deventer and was made by George Miller for IPP 20 in Los Angeles is a large burr style puzzle where the object is to fit the two burr pieces into the main body of the coin to complete the border of the coin. It takes 9.5 moves to put the three pieces together into the solved state. I’m not quite sure where the half move comes from, but I’ll take George’s word for it (more on that later).

The front of the Buffalo Nickel

The front of the Buffalo Nickel

The back of the Buffalo Nickel

The back of the Buffalo Nickel

This puzzle was brought to me by a friend after they visited my house recently and I showed them a few of the puzzles in my puzzle cabinets. Her daughter who was with her mentioned that they had this big coin puzzle where you had to put the two pieces into the coin and it was really hard. She had spotted it in a garage sale, and bought it as she thought it looked pretty neat. Unfortunately, she hadn’t been able to solve it, and nor had her mum so it was sitting in its three pieces. Before I could say much my fiancĂ©e announces that I’ll solve it for them if they bring it to me. Well, not much I can really say at this point other than, “Sure, I’ll give it a go”. After all how can you disappoint an 11-year-old when she’s been drooling over the puzzles in the cabinets.

The puzzle promptly appears over the weekend and an excited 11-year-old hands me the puzzle and says there you go.

The three pieces of the Buffalo Nickel

The three pieces of the Buffalo Nickel

As you can see the two pieces are simple burr pieces which both interact with each other inside the puzzle and with ledges and holes inside the body of the coin. It’s a big puzzle, measuring around 4″ diameter, and being metal has a good weight to it.

I should point out that when I was handed this puzzle, I was at my Son’s football game (American Football, not Soccer for all those back home in the UK), where I was in charge of the grill. I had just sat down to eat some lunch, so had a burger in my hand when I was given the puzzle. With an excited 11-year-old in front of me I thanked her, and said I’d try once I finished eating.

So finishing my burger, I take a look inside the body to see how much I can see, and look at how the two pieces interact. It seemed fairly straight forward, so I insert both pieces, and play around with how they interact inside the puzzle. I’m able to get the right hand piece in place fairly quickly, but it’s blocking the left hand piece from falling into the correct spot. Taking the pieces out, I play around with just the left hand piece to see how it fits, and it becomes pretty clear that it has to be very carefully aligned to drop into place. The tab on the left has to fit very precisely into the body, and any small angle in the piece prevents it from being inserted.

With that knowledge, I put both pieces back into the puzzle, and have it solved a minute or so after that. All in all it took less than five minutes for me to solve.

Getting up from my seat, I take the solved puzzle to my friend and I’m greeted with “What, What, how, you ….”. I just laughed and said that it was a very nice puzzle, did she mind if I took a few photos to allow me to put up a review of it.

Given that this was an IPP puzzle, the card which accompanied the puzzle for IPP 20, has the following information about the puzzle. The copy that my friend has doesn’t have the card with the puzzle, or its original box.

The Buffalo Nickel Puzzle is based on the Nine-and-a-half-Moves puzzle by M. Oskar van Deventer. It is composed of just three pieces that fit together in such a way to hide a secret compartment. Although the three pieces are flat and lie in a single plane, it takes a remarkable 9 1/2 moves to solve.

There is a very interesting article from Oskar about the puzzle, that does contain the solution (you’ve been warned) which you can read here if you’re interested. I know I mentioned at the top that I didn’t know where the half move came from, however in Oskar’s article, he describes the slide and rotate which is required in the solution as a move and a half. So that explains where the half came from!

I’m very happy to have been given this puzzle to try, and it was a fun little puzzle to play with. Thanks to my friend to lending it to me. Now she has to go solve it herself as she knows it’s possible now!