I have been an admirer of Peter Wiltshire's work for some time, and whenever he releases a new puzzle I try to pick up a copy. I've not always been successful, as his work is highly sought after, however this time I was lucky enough to be offered a copy of his latest puzzle, "Open for Business". It's a beautifully crafted wooden puzzle box, designed to store business cards.
The box itself is made from Walnut, measures 4.75" x 3.25" x 1.25" and has enough space inside for around 30 business cards (Ed: or about 10 if you have the really thick cards I have). That's more than enough for the typical business meeting, and depending on your preference, or the type of meeting; more time may be spent trying to open the box by your clients than talking about whatever dull subject the meeting was intended to cover. If nothing else, they'll go away with a good memory of the meeting (or possibly frustration, but no way to contact you about it!)
The box is beautifully finished, with the grooved details on the top of the box, something of a signature in many of Peter's boxes, and bamboo pins in the end of the box to give it strength along the joints, as well as add a golf ball like detail which really makes the corners stand out.
I spent several hours poking and prodding this box, trying to see what might move. Peter has hidden things incredibly well in this two moves to open box, and from what I hear it's kept a good few puzzlers locked out for longer than we might like to admit. When I did finally figure out the first move, there was a huge grin on my face as it's a real 'aha' moment, and entirely unexpected. After that it's fairly plain sailing, however that first move is just beautiful.
Once open you're treated to one of Peter's new business cards and you can then load up your own cards to have handy. I've left Peter's card at the bottom of by box, so that the curious colleagues in my office can see who made such a fun box.
Sadly if you're hoping to add one of these to your collection you may be out of luck. Peter had sold all of the boxes before the Puzzle Party at IPP35, which to my mind is just a testament to his work. Thanks again Peter, it's a great box, and I'm very happy to own one.
I have been an admirer of Perry McDaniel for quite some time, having come across his work through my own woodworking, and the exposure to Incra jigs. Perry works for Incra and has published books relating to the use of the Incra jigs in making repeatable precise joinery. Nowhere is that more true than in puzzle making.
I was recently fortunate enough to be able to add Perry's IPP26 puzzle the Marbled Walnut Sheet Cake to my collection.
This striking puzzle is classic of the dovetail work that Perry produces, with amazing accuracy, and a level of fit that makes me strive to be a better woodworker.
Measuring in at a little over 2.5" x 2" it's a rectangular cake slice made from Walnut and Maple. The figured Walnut used at the top of the slice really makes this look all the more like a chocolate sponge, and from a distance it could be easily mistaken. Without looking closely, you'll not even see the join the two walnut halves, and the dovetail on each side is near invisible.
The side view shows just how invisible that joint is. The level of accuracy that is achieved here is stunning. And it's even more impressive when you realise that this is only one of 200 copies made, and every one is made to this standard. Even with this level of accuracy, when you find out how to start opening the box, the movement is so smooth it's incredible. The measurement here is so precise that there's no gap, but equally no binding of the pieces. I really do consider this a master class in joinery! (Sorry, I'll stop gushing now).
Perry added a great touch by putting some nutritional information on the side of the box. It's a great touch, and really adds some character to the puzzle. I do hope that the boxes survive with the puzzle as it does add to the charm.
Getting back to the puzzle itself, on initial inspection there's not much movement, but the twin dovetail will give you a good idea of what needs to happen to open the puzzle. Turning the box around, there's a distinct rattling coming from the box. At this point there's no real indication as to whether that will be helpful or not. I had the distinct feeling that it's not. (Am I getting cynical?) After a short time exploring I found a move which would allow some movement of the puzzle, and the two halves of the cake started to slide apart. It wasn't the end though, as the sliding movement (which is so incredibly smooth) stops a little under half way, and reveals nothing about the mechanism keeping the box locked, or the source of that rattling!
I have to admit that I was rather stumped at this point for quite some time, and as with the best puzzles in my collection, when I finally found the final step required, and solved the puzzle, the realisation that the mechanism is so simple, yet stumped me, makes the Aha moment even better when it comes. Understanding how the mechanism work, it's easy to re-open it quickly, and despite saying it more than once already, the accuracy of the joints, and the silky smooth operation easily makes this one of the best made puzzles in my collection. As you can see from the photo above, the source of the rattling is pretty obvious when the puzzle is open. I'm very pleased to have added this, and would highly recommend picking up a copy if you happen to come across one.
I did pick up a copy of Perry's Incra book, and have a few of his projects planned. If I can get even half as close to the level of accuracy he is able to achieve I'll be ecstatic.
Back in 2011, Phil Tomlinson came out with his first puzzle box, The Always Empty Box, which I was very pleased to be able to obtain a copy, and was really impressed with his first attempt. Well Phil has now produced his second puzzle box, the Don't Shout box, and I'm pleased to say it's every bit as good as the first.
Looking very similar to his first box, and being the same size, the two puzzles look great together. Measuring 3-1/4" x 3-1/2" x 5-1/4", the only external difference to the original puzzle is the addition of a stripe across the top of the box. Phil produced two options, with either a Maple stripe, or a Wenge Stripe across the centre. I opted for the Wenge, however there's no difference between the mechanisms. It's all down to personal preference, and I really like the look of Wenge.
Despite the two puzzle boxes looking the same, I'm sure I don't need to tell you that the opening mechanisms are completely different between each puzzle. Before playing with the new puzzle, I took the original out of my collection and re-opened it. I'm pleased to say that despite knowing how to open it, I'd forgotten one step, and had to spend a good five minutes to figure out how to open it again. It's still a great puzzle, and made me smile re-opening it. Putting aside the Always Empty Box, I turned my attention to the Don't Shout.
Phil gave the same great puzzle documents with the box as he did on the first box, including feeding instructions for the box. It may seem silly, but it's a great touch, and really shows that Phil is putting a lot of himself into his puzzles. Very quickly you'll find that the hints of the first puzzle are present here, however it certainly doesn't act the same way. The first move is going to be fairly familiar for fans of the Japanese sliding puzzle box, but that's where the similarity ends. The next move is great, and totally unexpected. After that there's some symmetry to the solution, until the last move which will once again challenge you to find out how the box opens. That final move reminds me a lot of Phil's first box in that it was a great motion, and was easy to miss or prevent yourself from opening the puzzle due to some clumsy fingering.
Thanks Phil, you've made another great box, and I'm pleased that I have been able to add both of your boxes to my collection. They're great puzzles, and if you see one for sale, pick it up. It's unusual, and well worth a place on the puzzle shelves. There's apparently a nod to the opening mechanism in the name. I needed a small hint from Phil to understand the reference, but it is there, and it is clever.
Seems like I've managed to get a little time free recently to play with the odd puzzle or two, and one I've been playing with on and off for quite some time is the latest puzzle box from Eric Fuller, in the form of the Havanas #3. Not only have I had time to play with a few of the puzzles in my backlog, but I even seem to have time to write about them!
When Eric first offered these back in November of 2013, I had the choice of all three woods he'd made the puzzle in. From the choice of Birdseye Maple, Pink Ebony and Flame Maple, I opted for the Flame Maple.
No matter how hard I've tried, none of the photographs in this review do the puzzle justice. The Woods are simply stunning, and need to be handled to be appreciated. Sadly it seems there was a small error when Eric was making these, and he only had enough boxes to meet the pre-order quota of 50 boxes.
Measuring 1.7" x 1.9" x 6.4", this is the largest of the three Cigar boxes Eric has made so far, and given the trend, I'm not sure how large the next one is going to be. Strangely, despite this trend, the cigars inside the box haven't increased in size.
The box is made from quartersawn Sapele, which is remarkably stable, and allows Eric to make the box from fairly thin stock without worrying about the wood warping. Each box then has the fancy woods applied as thin veneer to each face. The Quilted Sapele on the sides has a fantastic appearance, and to my mind is complimented well with the Flame Maple on the top and bottom.
I'm a little slower in writing about it, not because I've not been lazy, but because it's taken me this long to open it! Eric stated in the original information about the puzzle that "I've given the prototype to several friends to play with and it seems to take most of them roughly an hour to solve." Well I can say it took me several months to solve it. The first few moves are fairly simple, and won't challenge anyone who's played with a traditional Japanese puzzle box. After that, things come to a complete halt, and no further progress can be made.
Without giving too much away, there's something of a red herring in there, that threw me off for far too long. A non-puzzler would probably have opened the puzzle far faster. The final couple of moves are very well hidden, and the box gives absolutely nothing away as to how it will open.
In all honesty, this isn't my favorite of the puzzles in the Havanas series, and the first is still the best puzzle in my view. I'm looking forward to the fourth box in the series now, and just hope that I manage to open it a little easier than I did with #3.