I have been an admirer of Perry McDaniel for quite some time, having come across his work through my own woodworking, and the exposure to Incra jigs. Perry works for Incra and has published books relating to the use of the Incra jigs in making repeatable precise joinery. Nowhere is that more true than in puzzle making.
I was recently fortunate enough to be able to add Perry's IPP26 puzzle the Marbled Walnut Sheet Cake to my collection.
This striking puzzle is classic of the dovetail work that Perry produces, with amazing accuracy, and a level of fit that makes me strive to be a better woodworker.
Measuring in at a little over 2.5" x 2" it's a rectangular cake slice made from Walnut and Maple. The figured Walnut used at the top of the slice really makes this look all the more like a chocolate sponge, and from a distance it could be easily mistaken. Without looking closely, you'll not even see the join the two walnut halves, and the dovetail on each side is near invisible.
The side view shows just how invisible that joint is. The level of accuracy that is achieved here is stunning. And it's even more impressive when you realise that this is only one of 200 copies made, and every one is made to this standard. Even with this level of accuracy, when you find out how to start opening the box, the movement is so smooth it's incredible. The measurement here is so precise that there's no gap, but equally no binding of the pieces. I really do consider this a master class in joinery! (Sorry, I'll stop gushing now).
Perry added a great touch by putting some nutritional information on the side of the box. It's a great touch, and really adds some character to the puzzle. I do hope that the boxes survive with the puzzle as it does add to the charm.
Getting back to the puzzle itself, on initial inspection there's not much movement, but the twin dovetail will give you a good idea of what needs to happen to open the puzzle. Turning the box around, there's a distinct rattling coming from the box. At this point there's no real indication as to whether that will be helpful or not. I had the distinct feeling that it's not. (Am I getting cynical?) After a short time exploring I found a move which would allow some movement of the puzzle, and the two halves of the cake started to slide apart. It wasn't the end though, as the sliding movement (which is so incredibly smooth) stops a little under half way, and reveals nothing about the mechanism keeping the box locked, or the source of that rattling!
I have to admit that I was rather stumped at this point for quite some time, and as with the best puzzles in my collection, when I finally found the final step required, and solved the puzzle, the realisation that the mechanism is so simple, yet stumped me, makes the Aha moment even better when it comes. Understanding how the mechanism work, it's easy to re-open it quickly, and despite saying it more than once already, the accuracy of the joints, and the silky smooth operation easily makes this one of the best made puzzles in my collection. As you can see from the photo above, the source of the rattling is pretty obvious when the puzzle is open. I'm very pleased to have added this, and would highly recommend picking up a copy if you happen to come across one.
I did pick up a copy of Perry's Incra book, and have a few of his projects planned. If I can get even half as close to the level of accuracy he is able to achieve I'll be ecstatic.
Back in 2011, Phil Tomlinson came out with his first puzzle box, The Always Empty Box, which I was very pleased to be able to obtain a copy, and was really impressed with his first attempt. Well Phil has now produced his second puzzle box, the Don't Shout box, and I'm pleased to say it's every bit as good as the first.
Looking very similar to his first box, and being the same size, the two puzzles look great together. Measuring 3-1/4" x 3-1/2" x 5-1/4", the only external difference to the original puzzle is the addition of a stripe across the top of the box. Phil produced two options, with either a Maple stripe, or a Wenge Stripe across the centre. I opted for the Wenge, however there's no difference between the mechanisms. It's all down to personal preference, and I really like the look of Wenge.
Despite the two puzzle boxes looking the same, I'm sure I don't need to tell you that the opening mechanisms are completely different between each puzzle. Before playing with the new puzzle, I took the original out of my collection and re-opened it. I'm pleased to say that despite knowing how to open it, I'd forgotten one step, and had to spend a good five minutes to figure out how to open it again. It's still a great puzzle, and made me smile re-opening it. Putting aside the Always Empty Box, I turned my attention to the Don't Shout.
Phil gave the same great puzzle documents with the box as he did on the first box, including feeding instructions for the box. It may seem silly, but it's a great touch, and really shows that Phil is putting a lot of himself into his puzzles. Very quickly you'll find that the hints of the first puzzle are present here, however it certainly doesn't act the same way. The first move is going to be fairly familiar for fans of the Japanese sliding puzzle box, but that's where the similarity ends. The next move is great, and totally unexpected. After that there's some symmetry to the solution, until the last move which will once again challenge you to find out how the box opens. That final move reminds me a lot of Phil's first box in that it was a great motion, and was easy to miss or prevent yourself from opening the puzzle due to some clumsy fingering.
Thanks Phil, you've made another great box, and I'm pleased that I have been able to add both of your boxes to my collection. They're great puzzles, and if you see one for sale, pick it up. It's unusual, and well worth a place on the puzzle shelves. There's apparently a nod to the opening mechanism in the name. I needed a small hint from Phil to understand the reference, but it is there, and it is clever.
Seems like I've managed to get a little time free recently to play with the odd puzzle or two, and one I've been playing with on and off for quite some time is the latest puzzle box from Eric Fuller, in the form of the Havanas #3. Not only have I had time to play with a few of the puzzles in my backlog, but I even seem to have time to write about them!
When Eric first offered these back in November of 2013, I had the choice of all three woods he'd made the puzzle in. From the choice of Birdseye Maple, Pink Ebony and Flame Maple, I opted for the Flame Maple.
No matter how hard I've tried, none of the photographs in this review do the puzzle justice. The Woods are simply stunning, and need to be handled to be appreciated. Sadly it seems there was a small error when Eric was making these, and he only had enough boxes to meet the pre-order quota of 50 boxes.
Measuring 1.7" x 1.9" x 6.4", this is the largest of the three Cigar boxes Eric has made so far, and given the trend, I'm not sure how large the next one is going to be. Strangely, despite this trend, the cigars inside the box haven't increased in size.
The box is made from quartersawn Sapele, which is remarkably stable, and allows Eric to make the box from fairly thin stock without worrying about the wood warping. Each box then has the fancy woods applied as thin veneer to each face. The Quilted Sapele on the sides has a fantastic appearance, and to my mind is complimented well with the Flame Maple on the top and bottom.
I'm a little slower in writing about it, not because I've not been lazy, but because it's taken me this long to open it! Eric stated in the original information about the puzzle that "I've given the prototype to several friends to play with and it seems to take most of them roughly an hour to solve." Well I can say it took me several months to solve it. The first few moves are fairly simple, and won't challenge anyone who's played with a traditional Japanese puzzle box. After that, things come to a complete halt, and no further progress can be made.
Without giving too much away, there's something of a red herring in there, that threw me off for far too long. A non-puzzler would probably have opened the puzzle far faster. The final couple of moves are very well hidden, and the box gives absolutely nothing away as to how it will open.
In all honesty, this isn't my favorite of the puzzles in the Havanas series, and the first is still the best puzzle in my view. I'm looking forward to the fourth box in the series now, and just hope that I manage to open it a little easier than I did with #3.
In my last post, I started creating the dominoes to complete the copy of Stickman #16, the Domino Box I had recently acquired. In this post, I'll finish making the dominoes and review this very tricky Stickman Puzzle Box.
Once the box is filled with dominoes, plus a couple of additional pieces that Stickman created to fill the space, the previous solver can shuffle the dominoes, effectively creating the starting point for the next solver. But before I get to the review itself, I still have to finish making the dominoes. If you're only interested in the review, then jump here.
I spent most of my Sunday morning putting together a new jig just to put the centre line in the dominoes. As you probably remember from the last post, I finished up having cut the spots, but still had the challenge of creating that centre line split that all dominoes have. I needed to be able to do this quickly and accurately, and also had to take into account that tearout was possible when cutting across the grain of the wood. Had I been sensible, I'd have cut the centre line before creating the bevel, making tearout a much lesser issue, since the bevel would cleanup any possible tearout.
Given that I didn't do that (live and learn!) I had to create a crosscut sled, with the blade angled at 45 degrees to the table. This allowed me to cut using the corner of the blade, and create the desired effect. Although it may look like the blade is inside the jig in the picture above, it's actually 1/64" above the plane of the jig. Just enough to cut the shallow groove I need.
The first attempt, I had my stop block slightly off, so the cut was fractionally too wide and left a hill in the centre of the domino. A quick adjustment of the stop block, and the test domino looked good. The benefit of having the stop and this jig is that the cuts are repeatable, and very quick to make. It takes less than 10 seconds per domino.
Half an hour later, I had two full sets of dominoes finished. Now of course there's some final sanding and finish to be applied, but the dominoes themselves are complete, and could be used in the puzzle at this point. It took two days over two weekends to make the two sets of dominoes and was time well spent in my mind. There's another Stickman puzzle (two in fact) which are now complete and will hopefully allow these excellent puzzles to be enjoyed by many more people.
So with all the work I put in to completing this puzzle, was it worth it, and is the puzzle any good?
The puzzle measures 6" x 6" x 2", and has enough space to store a regular set of 6 spot dominoes (that's 28 if you weren't sure), as well as a few additional shapes just to make things interesting. Made from Walnut and Monticello it's a sturdy box, which with all the ornate work on the top and bottom makes it a great looking puzzle.
With the Stickman logo on the top, the Domino and Devost on the bottom to signify that the dominoes were made by John Devost, this stands out on the puzzle shelves. Of course in my case, the dominoes were made by me, and this is the only set of dominoes in the run of boxes to be made from Ebony. I was very lucky to get the Ebony blocks from John through Stickman, so this is the wood which was intended to be with this box. I'm incredibly happy that some of the Ebony has the amazing red tint to it. Sadly, over time this will oxidse into the dark rich black that is normally associated with Ebony, but for now I'm going to enjoy this wonderful hue.
I think this probably qualifies as one of the simplest mechanisms in a Stickman Puzzle that I've come across. If we break it down to the bare minimum, it's a box, with a sliding lid, and two blocks glued to the inside. Don't read that the wrong way, the craftsmanship in this puzzle is everything you'd expect from a master craftsman like Stickman, and given the CNC work, it's one of the more ornate puzzles he's produced.
It's up to the puzzler to insert the dominoes into the box, in any orientation he desires along with the additional pieces, close the lid, and then shift a few of the dominoes around to lock the puzzle. The challenge is then to return the dominoes to their original position which leaves a small gap at each corner on the front of the puzzle, allowing it to be opened.
The Upper image shows the gaps which have to be created. Looking through the two outer holes in the box, there's a gap in the middle layer of tiles. The top two reddish bricks at the top are the two which are glued to the frame and make the locking mechanism. Once those spaces are clear, the front can be slid down, allowing the top to slide part way out, allowing access to the dominoes.
In terms of the difficulty, this is a very challenging puzzle. Those holes which are all around the box look huge until you try to move a domino inside the box, and realise that the gaps are not as large or as helpful as you might like. I found myself often tapping the side of the box against my palm to cause a domino to slide where I needed it. Moving dominoes between layers is especially tricky, and it's not had to create a state inside the box that will take a lot of time to solve. Even Stickman himself admits that he found himself locked out of the box for hours.
I really like this puzzle box, and it doesn't hurt that once you solve it, you can go ahead and make use of the dominoes inside. I'm very pleased to have been able to turn this into a working puzzle and I hope this will give more puzzle enthusiasts a chance to play with another Stickman design.